ROBERT REED
SANCTUARY
‘… just thought I would congratulate you on the stunning job done with the high-res version of Rob’s “Sanctuary”.
He sent me a copy for a listen and it absolutely blew me away – such clarity and definition. It really shows off the format in a exceptional way.’ – DVD Beta Tester
IMOGEN HEAP
LIFELINE
“ahh! thank you for the stars. Mastering sounds great. Wooop!” – Imogen Heap
ANTHONY PHILLIPS
SEVENTH HEAVEN
“Looks like we have made Classic FM on this one…! Bravo you guys for making it sound as it does!” – Anthony Phillips
LUSH
FRESH HANDMADE SOUND
“Simon from Super Audio Mastering has done an amazing job on the 5.1 files on Synaesthesia.
I checked them yesterday… played the the unmastered DVD (that we are selling in the shops with the CD’s) and a stereo mp3 of the same track for comparison and the sound quality from Simon’s new Mastered files is so much better than anything we’ve had so far.” – Simon Emmerson
ANDREW SKEET & LPO
THE GREATEST VIDEO GAME MUSIC I&II
“Thanks to both of you for your work on this… sound great!” – Andrew Skeet
BOOM LOGISICS
FOURTH
“Wow – the improvement is astonishing and I love it. You’ve absolutely nailed the mix of richness/density and detail that I wanted.” – Boom Logistic’s
Conor Strachan
Mandelbrot Zoo
“I have been listening across different systems and it all sounds fantastic!” – Conor Strachan
Carmen Hillary
Window Seat
“Wow you have both done an absolutely fabulous job!! I love all the changes you made. I love it and am really, really HAPPY with the mastering…the album sounds so great!! I can really hear how much heart and soul you’ve put into it.” – Carmen Hillary
Simple Minds
Celebrate
“As always you’ve done a great job on the tracks, i checked against the originals. Great stuff.” – Charlie Burchill
Seckou Keita
Miro
“Thanks again for all your work. I think we have something really fabulous as a result!” – DRUM
GRICE
Propeller
“Once again, many thanks for the session yesterday – the tracks sound glorious and I appreciate all your hard work and your invaluable input.” – GRICE
Clinic
Free Reign I/Free Reign II
“I got the CD today and everything sounded great. A big thanks again for all the help you and Andy have been.” – Ade Blackburn
The Hawk & The Hares
The Hawk & The Hares
“We have just spent some time listening to the album. We are very, very impressed. You have made a disparate group of tracks sound like an album. You have improved all the individual songs also. Thank you.” – The Hawk and the Hares
Fitkin/Wall
The Three Harps Of Christmas
“Thank you very much for all your great work on our album… You really made some magic with the sound, what a dark art you guys practise!” – Fitkin/Wall
august wilderflower
Lines and Spaces
“We’ve just had a good listen and are absolutely blown away. Amazing! Thanks so much for all you’ve done!” – august wildflower
Andrew Keeling & Otherworld
Hyde
“Your Mastered version sounds amazing and thank you for your hard work on it!” – Andrew Keeling
X-Sonic
The Speed Of Light
“You’ve made these tracks sound better than I ever imagined they could… I certainly hope to have the privilege of working with you again.” – X-Sonic
viseMenn
Singles
Thanks for the Masters, they are as usual top notch and we think they are as good as they possibly can get…” – viseMenn
Christopher Wood
#FutureSelf
“Thank you so much for the tracks – they sound great and they’re everything you promised!” – Christopher Wood
Dune
Wild Hearts
“…we’ve really loved it and are thrilled with the results!” – Bonna Bernal
Catrin Finch & Seckou Keita
Clychau Dibon
The Financial Times –
★★★★★
By David Honigmann
“Finch and Keita swap tunes from both traditions, one taking the lead while the other fills and improvises around the edges, then seamlessly trading places.
‘Robert Ap Huw Meets Nialing Sonko’ is the centrepiece: 16th century harp tunes playing off against the blissful melodies of the Casamance”.
The London Standard –
★★★★★
By Simon Broughton
“Welsh harp and Senegalese kora – a sublime duo of two artists who are masters of their instruments. Yet it might not have worked, because both instruments are plucked and often it’s better to have more contrasted textures. But just listening to the way the opening track builds up, you can feel a sense of musicality and architecture at work with both artists drawing on the traditional repertoire of their respective cultures. Both of them are no strangers to collaboration, but this is their most seductive. The overall effect is of a rich web of sound, but they bring moments of drama when necessary. I also suspect that it’s something that will get more intriguing and appealing the better you get to know it”.
“an intriguing collaboration that really works…Catrin Finch is a celebrated harpist …this is (Seckou Keita’s) most satisfying work to date…. the interaction is remarkable…an elegant,gently exquisite set”
Robin Denselow, The Guardian
“gorgeous,eloquent,elegant music”
Thomas Brooman CBE
“something quite different.. a really intriguing collaboration…it works so beautifully together -a beautiful album”
Mark Radcliffe,BBC Radio 2
“heavenly music.. that soars, intricately realised , pretty wonderful”
Nigel Williamson,Songline
“intricate,ethereal and entrancing,an elaborate pas-de-deux…remarkable”
Neil Spencer, Uncut Magazine
“some people spend a lot of money on illegal substances in order to attain the kind of mood this music evokes”
Froots
